A €400 million studio without a TV channel? What the closure of Barca TV tells us about the future of club media
A €400 million studio without a TV channel? What the closure of Barca TV tells us about the future of club media
IMAGO | Xavi, manager of FC Barcelona, giving an interview to Barca TV.
Less than a year after Barcelona’s media operation sold a 49 per cent stake in a deal that valued it at €400 million, it has closed down one of its core offerings – Barca TV.
With clubs stepping back from linear TV offerings, are these withdrawals about short term financial priorities, a broader retrenchment, or is something else going on?
Why it matters: Clubs all over Europe have been moving away from direct TV offerings, but Barca’s withdrawal seems like a tipping point.
The perspective: Clubs need to consider carefully the platforms in which they distribute their content. “Are Netflix or Amazon the meal ticket or are they really there to eat the clubs lunch?”
12 May 2023 - 2:54 PM
It represents only a footnote in a chaotic era for the club, but the impending closure of FC Barcelona's Spanish television channel, Barca TV, as part of a cost-cutting strategy seems at once at odds with the huge valuation the club gave its media operations last year, while representing something deeper about how clubs are interacting with their fanbases.
Last summer, the club asked for – and received - €200 million for selling two 24.5 per cent stakes to in Barca Studios to a media group and cryptocurrency business.
That investment the club said at the time, represented “confidence in the value of the project and the future of digital content in the world of sport.”
Barca Studios serves as a hub for developing and producing engaging and innovative content, focusing on enhancing the club's brand, narrative, and storytelling capabilities. Traditionally Barca TV, for which it provides content, would have been a key outlet for this. From the end of next month this will no longer be the case.
Barcelona will not renew their existing agreement with Telefonica, a Spanish telecommunications company, which currently handles the outsourcing of Barca TV. Over the past year, the club contemplated the possibility of assuming direct control of Barca TV and transforming it into a financially viable entity, but failed to identify a sustainable path forward.
Having been established in 1999, the channel is scheduled to be discontinued on 30 June, resulting in over 100 redundancies, including both employees and freelancers.
Spanish media quoting unnamed club sources revealed that this decision could potentially save the club approximately £11.5 million (€13m) per season.
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This latest development represents yet another measure undertaken by the club to address the financial challenges that have plagued them in recent times. In order to stay afloat, Barcelona has been forced to pull various economic levers while grappling with a substantial wage bill.
But the closure of Barca TV seems to represent something else, something that transcends the Spanish club.
Only a few years ago major clubs were repositioning themselves as media companies. Now clubs all over Europe are stepping back from linear TV offerings, with Barca the most significant club to do so. Is Barca’s withdrawal just about its own short term financial priorities, or is this part of a broader retrenchment from those ambitions? Has the money gone from this field? Where does the future of club media rest?
Broader trend
Research carried out by Off The Pitch into club centred TV stations reveals that Barca TV’s impending closure leaves just a third of Europe’s leading clubs (the Super League 12, plus PSG, BVB and Bayern) with linear broadcast channels. Some have moved onto online only models; Inter’s online TV channel is free; others – like Tottenham and Arsenal – don’t offer them at all.
Sébastien Audoux, a longstanding former executive at Canal+, shared his perspective on the trend of club TV channel closures in Europe. According to Audoux, the approach of clubs prioritizing distribution control before content production was fundamentally flawed.
Audoux argued that true control over distribution is elusive, even with over-the-top (OTT) platforms, as ultimately there is a reliance on intermediaries like Apple or Google. The challenges were even greater for linear channels, which had to navigate through telecom companies and pay TV operators. Furthermore, these channels often struggled to offer compelling content compared to traditional media outlets, lacking sufficient programming to sustain a 24/7 schedule.
Instead, Audoux emphasized that ownership of production should primarily focus on nurturing and enhancing the club's brand as well as delivering greater value to sponsors and engaging with supporters.
By prioritizing content production and brand development, clubs gain the flexibility to explore various output options, catering to both business-to-business (B2B) and business-to-consumer (B2C) avenues. This approach allows for more strategic decision-making and enables clubs to adapt to evolving media landscapes while maintaining their unique identity.
“Owning the production should really be about owning and developing your own brand, narrative, storytelling, improving value for your sponsors, engaging with you fan base,” believes Audoux. “Authenticity being the most valuable asset here.”
Unviable model
According to Tom Hines, principal at J40 Media and a former head of media at Arsenal, the production costs associated with linear TV have been unviable for most clubs for quite some time. In addition, the challenge is exacerbated when third-party distribution separates the audience and their data from the club.
He gives the example of Arsenal’s noughties TV channel, which broadcast academy games as the core of its subscription product.
“They then realized that the number of subscribers they were getting and the cost of producing the Academy games meant that at one point, they might as well be bussing – paying for busses to take the people who were actually watching online – to watch the games live,” he says.
“So they went from a paid subscription model to a data exchange model. So you could sign up for Arsenal TV for free, but you had to give us your email address and you had to log in whenever you wanted to consume the content.”
Tom Hines
He argues that streaming channels are not the future of club media and may not have a place in a club's media portfolio. Instead, archives, behind-the-scenes content, and club features can only contribute meaningfully to a direct-to-consumer (D2C) offering only if they include live, top-flight games. This is not going to happen any time soon.
Nevertheless Hines believes that clubs and leagues that demonstrate agility and innovation in their production processes can generate revenue at the margins. While the closure of Barca TV in June will result in the loss of 120 jobs, re-evaluating the workflows of such a large team and leveraging AI and automation in content archiving, capture, and production can significantly reduce costs.
Direct to consumer
Hines says that the pronouncements on the death of football clubs as media companies are premature.
“Football clubs are or can be media companies,” he says. “And I think that you need to have at least a group of people within a football club who are thinking that way, even if the whole club isn't, even if that's not what's driving the commercial strategies, even if that might be kind of in conflict with what your communications team are thinking.
“I think it's important that there are a group of people there who are thinking, ‘Yes, we are a media company. We can create a media company off the back of this.’ I think what that means or how you execute that has changed in the last few years, certainly changed in the last six years since I started at Arsenal. And clubs are still trying to figure out what kind of media companies they actually are, and also how much interest there is beyond the live match.”
Direct digital monetization of fans remains the prevailing trend, he adds, and this transcends video content. He points to the ascent of Web3 as representing a key development. While the initial attempt to introduce fan tokens may have been “a somewhat blunt moneygrab” he says, the advancement of blockchain technology will eventually revolutionize how clubs engage with their fans, resulting in tangible financial benefits.
Going back to our starting point, Hines says that the closure of Barca TV represents “a really good eye catching example that shows us where clubs perceive the value of fan engagement to be.”
“That being a shift from reach and sort of ‘inactionable eyeballs’ to direct relationships with the fans.”
Overdue reset
Neil Joyce, CEO of CLV group which works with football clubs and other entertainment businesses on digital engagement, tells Off The Pitch that the migration of club owned TV stations to digital propositions is part of a “long overdue reset” going on in the space.
Niel Joyce, CEO of CLV group
Joyce highlights a significant shift taking place in the sports and fandom landscape, urging football clubs to transition from brand-building to adopting high-growth models similar to direct-to-consumer (D2C) brands. Joyce emphasizes the importance of content development and fan customization as the foundation for football clubs to establish subscription-based models and cultivate relationships with global fans.
“Content is the catalyst as an engaging value proposition to provide the connection to fans," he says. This connection, according to CLV group's Fan Moneyball analysis, unlocks a substantial revenue opportunity of over $300 million in content streaming for larger European clubs.
Joyce points to successful behind-the-scenes formats such as “All or Nothing,” “Drive to Survive,” and the captivating story of “Welcome to Wrexham” as evidence that storytelling can effectively reach and convert new fans, audiences, and followers. He suggests that sport, media, and entertainment are converging as industry verticals and mutually beneficial partners, with each having elements of heroism, underdog narratives, and high drama. This convergence opens up limitless possibilities for engagement-efficient non-live event channels across various digital formats.
“Clubs obviously do not have the back-catalogues of a Disney or a Warner Brothers, however, they do have legacy, ongoing stars, up and coming talent, the high growth of their women's teams to create new stories,” says Joyce.
“The key question that the clubs needs to answer is whether they want to keep being disinter-mediated by broadcasters, social media platforms and a fixation on ratings data vs invest proportionately to where their fan revenue opportunities [exist]. which will require philosophical change to act like a D2C organisation where customer lifecycle and LTV metric are critical.
“Whilst there is a short-term requirement to all businesses and football is no different, are Netflix or Amazon the meal ticket or are they really there to eat the clubs lunch?”
Farewells
Ultimately the reality facing Barca TV – like that facing club TV channels everywhere – is quite prosaic: the world has moved on from a linear broadcast model that is heavy in overheads but has ultimately lost its reach.
According to Barcelona’s annual accounts, its global streaming channel Barca TV Plus had just 2.5 million views last year. When the club posted a video last week announcing Sergio Busquets’ departure it generated 5.7 million views within 24 hours.
“It has not been an easy decision,” said Busquets, who joined the club, aged 12, in the season Barca TV was born. “But it’s time to say goodbye.” He might have been talking for both of them.
Barcelona told Off The Pitch in a statement:
'Last April 27 FC Barcelona communicated to TBSC Telefonica that will no longer extend the contract to operate Barça TV channel expiring on June 30. This painful decision is framed inside club’s viability plan that LaLiga has required to all teams participating in their competitions. FC Barcelona is currently reimagining the production and distribution of content for its TV and will communicate its decision on following dates.'